Thursday, July 22, 2010
Painting with watercolor is as simple or complicated as you wish to make it. If you approach it with the openness of a child while releasing any expectations on what the end result will look like, you'll find it easy and will most likely have a great time working with it. It is an art media that anyone can use "right now" - yet like many things, can take a lifetime to master.
In this piece, I worked with water tinted with paint, rather than a wet brush filled with paint. This gave me the ability to create thin layers of color.
Monday, July 12, 2010
Sailor Nano Black fountain pen ink is water resistant, and as far as fountain pen inks go, not too many will survive the onslaught of a 32oz fountain drink.
I'll be the first to admit that I do not understand the chemistry behind a water resistant ink, but I do know that they do not contain shellac. Shellac based inks such as India Ink cannot be used in a fountain pen because if the shellac based ink is allowed to dry inside the pen, it can permanently damage the pen.
I am often asked about whether or not a particular water resistant or water proof ink can be used with watercolor washes and unfortunately, it's a question that leaves me stumped because here's the thing... (IMHO) There is a delicate balance that has to happen between the pen, the ink and the paper for it to be able to resist a wash. (Humidity and drying time may also play a factor.)
What I think has (often) happened to me, is that when I try and wash over an ink like this, all of the ink particles have not been absorbed into the paper (even though the ink is dry) and when you wash over it, it smears - though the ink, (in this case the Nano) stays quite vivid on the paper even after placing the paper under running water.
Perhaps if I used a finer nib and a highly absorbent paper I would avoid the smearing when trying to wash over it, but quite honestly, I've kind of given up trying to make this work. Now I usually work from the opposite side- painting first, then working over the image with ink.
When I choose a black ink, I want it to be as black as possible. No shading please. I want it to look as though I was working with a permanent marker. Herbin's Perle Noire and Diamine's Onyx Black are in that range but they aren't water resistant. I've also had some difficulties with the Perle Noire bleeding through papers that it shouldn't. So though the Sailor Nano Black was quite expensive ($24 at Art Brown) I still wanted to give it a try.
It is quite black. In fact, I'm not sure you could get "none more black." BUT when viewed at an angle, there is a sheen to it which had me kind of confused the first time I used it. (I have noticed a similar sheen when using my black Pitt and Micron Pens.) Once I realized what amazing flow it had, I looked past the sheen and loaded it into 5 different pens. (Technically 4, because my 1911 is dry.)
I may have mentioned that I love the flow of the Sailor Jentle inks but that they all seems to have a very, very strong chemical odor. I am pleased to say while the Nano is not odorless, it does not smell anywhere near as strong as the Jentle inks.
But now for the semi-bad news.... (Note - these last 3 images were not color corrected in any way - I needed to leave them as is so you could see the transfer.)
What you are seeing is ink transfer from the mandala drawn above - drawn with a very wet vintage Parker pen with a semi-flex nib in a blank Rhodia Webbie. While I know the Rhodia/Clairefontaine paper sometimes takes a little longer to dry because of it's resistance to ink, the drawing had to have been dry when I closed the book or it would have smudged all over my hand as I was creating it.
In fact, after noticing the transfer, I did a quick smudge test in the Webbie. The Nano dries pretty quickly on this paper. I initially thought it may have just been the incredibly wet writing Parker pen that was leaving an excess of ink behind to transfer but as I examined my writing from other pens, I was wrong. This seems to be happening regardless of what pen I'm using. I think what happens is that after you flip the page and start writing on the other side, the pressure from the pen creates the transfer. What's odd is that fountain pens only require light pressure to get them to write, and this is a thick 90g paper.
I feel like I'm between a rock and a hard place with this ink. I love it's flow and lack of shading, but it's a little bothersome that it creates this transfer. Though it's not bad enough to prevent you from being able to read what you have written, it certainly is an annoyance. I will likely finish the bottle, but will probably not buy it again.
*** Edited to add 08/09/10 This ink is creating that annoying transfer in multiple journals (papers) from various inks. I am done with it. Not Recommended.
Tuesday, July 6, 2010
These Prismacolor colored pencils are the first such pencils I bought about 6 or 7 years ago. I initially purchased a few individual colors as open stock from a local hobby store, then went crazy and bought a set of like... a million or so from eBay. Didn't have a use for all of the colors in the giant set and ended up giving half of them away to a co-worker's daughter who liked to draw Anime.
Overall, I find the leads inconsistent - ranging in extremes from soft and creamy to brittle and waxy. As I no longer have the original box, and knowing that Prismacolor currently has several different kinds of colored pencils available, I had to do a bit of creative Googling to figure out that these are from the Premier line.
My patience runs thin when creating art with pencils and so I only pull these out now and again to color in the occasional mandala. Though the Albrecht Durer watercolor pencils are a bit more expensive, every pencil I've tried has been soft & buttery and I love that I can use them with water. If you ask me, I say skip these and try a better pencil that allows for a greater range of creative versatility.