Sunday, August 30, 2009

Monetizing one's art - What would you do?

Idea Mandala

I think it's finally time that I do something more with my art than posting it to the web - but I have to admit, I am completely overwhelmed with the thought of selling my work. My sticking point is that I never ever create my art (specifically my mandala art) with the intention of trying to make money from it. I create art as a form of spiritual self expression - a meditative release if you will, but I can't help but noticing that there are a few of my images that people seem to really like... a lot. Seeing that I do need to eat on a semi-regular basis, and that my husband would surely love me to generate more than hot air... I'm willing to consider my options.

When selling art, there seems to be a million different ways to do it. I can sell prints, t-shirts, greeting cards.... I can use do-it-yourself sites like Cafe Press, Zazzle, Etsy, or any of a number of other similar sites.

I know that no matter how I start, I probably need to have a clean digital image from which to work. My scanner is not capable of capturing such an image, so I checked with one company that would shoot my art with some kind of high end digital camera and then "clean up" and color balance the image. The cost- $75 per image. Hmmmm seems kind of high. Then I can't decide if I want the reproductions to be like the original, (showing the paper grain etc.) or vectored/rasterized so it can be used more like graphic art. Decisions, decisions...

There is part of me that would like to do something that's a little different than just prints & greeting cards, and after I completed the above image, I was thinking that this particular image would make for a really cool reverse lino block print on a t-shirt. But that would mean that I would have to figure out how to transfer the design & carve it out, then print them. A great idea in theory, but one that might take up more time and effort than I currently have available.

So I am at a loss.

If you were me, what would you do? Do you have any experiences that you can share with me on how you reproduce your art for sale? Or maybe how you prefer to purchase your art?

Friday, August 7, 2009

Rejuvenation and Reacclimating

Bryan Fazio, PJ Roduta, Me, Jim Donovan & Mike Deaton

Bryan Fazio, PJ Roduta, Me, Jim Donovan and Mike Deaton

While I have been back from the Summer Rhythm Renewal for several days, it's been difficult for me to put this recent adventure into words because any time I am affected on a deep emotional level, it seems like nothing I can say will truly express what I experienced.

I'll start like this- my friend Jim Donovan puts on one hell of a shindig.

Jim Donovan & The Yoga of Drum & Chant

Jim Donovan teaching his Yoga of Drum and Chant workshop

The Rhythm Renewal is a multi-day event held on campus at a local university in the mountains of Central Pennsylvania. On the surface, it's an interactive experience filled with classes and workshops on various types of hand drumming and dance. When you look a little closer, you will find an underlying theme of spirituality and self expression with workshops such as "The Yoga of Drum and Chant," shamanic journeying, and mandala creation. You are surrounded by about 100 like minded people and when you want to experience something that's new to you, you are surrounded by a positive loving energy that encourages you to be open to experience new things. This is a SAFE environment and no one will ever judge you for any reason - not for the sound quality of your voice, or how well you can play the drum.

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While I can't speak for everyone, I can say that I know that in my day-to-day life that I am not always surrounded by the motivation and encouragement that I feel from my friends at the Rhythm Renewal, and it always creates a significant amount of self reflection upon my return. It makes me think about how important it is to position yourself in life to be surrounded by like minded people and to remove different aspects of your life that aren't serving your highest good because we deserve to feel this good about life ALL OF THE TIME.

Gloria Shaking it

This year was the first time I had been invited to be a member of the faculty at the Renewal. Jim had been commenting on how I should maybe teach people to create the mandalas that I am always drawing and I half jokingly suggested that he let me do it at the Rhythm Renewal. Without skipping a beat he said just one word - "Done." And so, I spent the last few months working out the details on how I would present this material to the participants.

Mandala Class

My class which was entitled, "Mandala: An Artful Creation" was part of a break out session - meaning that I was presenting one of four workshops over the same time period. I had no idea what to expect by way of attendance. I was guessing that since an "art" class was so different from the rest of the offerings, that I might get 5-8 people in each class but I was wrong. I had done my best to spread the word that this wasn't specifically an "art" class, but one more about personal expression and that there would be no judgment with what people created. I ended up averaging 20 people per class over each of the three days and that made me supremely happy.

Mandala Class

This year's Renewal schedule was packed with lots of high energy drum and dance workshops and it seemed that people appreciated an outlet in which they could decompress and regain their focus. In each class we did an individual piece and also a group creation. People seemed to be enjoying themselves and there was a fair amount of talk from people that weren't used to creating art on a regular basis saying that this was something that they felt was easy and accessible to them. One woman went as far as to drive off campus after the first class to get herself a set of markers so she could continue to create during the rest of her stay.

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Another woman told me how she was going to go home and paint huge mandalas on the walls of her house - but one story I heard moved me like no other. There was a 67 year old woman in the class that told me that this was the first time in 40 years that she had created art because she had always felt that it was something that she had to wait until retirement to do. I was so honored that she chose my class to start creating again.

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Aside from my teaching experiences at the Renewal, I am always so happy to be surrounded by all of my old friends from years past, as well as meeting wonderful new people. Jim always encourages us all to talk to people - that "you never know who your best friend is going to be."

Me & Jaqui MacMillan

And so allow me to introduce my new best friend, Jaqui MacMillan.

Last year when I was in Pittsburgh for Drum Talk, my friend Mike Deaton said to me - "You really remind me of my friend Jaqui MacMillan..." Then low and behold, she's also a first timer on the faculty at this year's Rhythm Renewal. While I was a newbie in the sense that I was teaching my workshop for the very first time, Jaqui's been playing djembe for 27 years and teaching for 18 so she was no stranger to teaching at her first Renewal. She has a more than impressive resume that upon first glance can be quite intimidating - but when you meet her you are immediately put at ease by her beautiful smile and brilliant energy.

Jaqui MacMillan

With no disrespect to my other teachers, her teaching style is on point. She makes everything so simple, simple, simple, and completely accessible to people at any skill level. She was a wonderful addition to the already outstanding faculty and has been asked to be back on next year's staff, which makes me very happy.

Jaqui Teaching her "Drum for Joy" workshop

With Jaqui, I seemed to have one of those, "seems like I already knew her" kinds of experiences. I had the great fortune to spend time with her talking about anything and everything and we had a blast. The really strange part of all this is how we seem to resemble each other. At least a dozen people commented on this over the weekend and so as far as I'm concerned, not only to I have a new friend, but a new big sister as well.

Over the course of these five days I drummed, danced, chanted, drew sidewalk mandalas, encouraged others to let go and generally had a phenomenal time with some of the best people in the world but readjusting to daily life after such a transformational event can be a little tricky. You bring all that joy back with you - you ride the love bubble home and then you remember that you have bills to pay, and dishes and laundry to do. People around you in your life outside the Renewal won't always understand what that glassy look in your eyes means, or how it really is, "all good." But you take a deep breath, close your eyes and go back there for a few moments, if only in your mind. It is a challenge to stay in that frame of mind once you get home, but when you realize that by examining your life that you can make choices to remove things from your life that don't serve you and replace them with things than can, you will find that those ecstatic moments can last much, much longer than just a few days. By being diligent with creating your world around you, you can lead a truly ecstatic life.

Sidewalk mandala outside the Boilerhouse

Chalk mandala created by me, Mike Deaton & Jordan outside the Boilerhouse.

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Late night parking lot mandala where everyone contributed. It reached ginormous proportions.

PS: A big THANK YOU to Jim for giving me the opportunity to teach my class, to Karen Doherty at Exaclair for providing Clairefontaine Watercolor Pads to be used in the class, and to my friend Donna who couldn't come to the Renewal this year, but who so graciously donated a large portion of the supplies (markers, chalk) that we used over the weekend. Much love!

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